Spondees and dactyls and distichs–Oh my!
It seems sometimes I must choose: do I sleep, or do I stay up and write? I’ve found that I do some of my best writing late, when the house is quiet and the interruptions are few. Last night, though I could have gone to bed early, I instead stayed up and worked on a poem that’s been stewing in my head for a few days now.
After three hours, all I had were 16 lines or 8 couplets to show for my effort, but I was working in a rather demanding form–classical elegiac, which, if you’re curious, is a distich form with the first line in “dactylic hexameter”:http://en.wikipedia.org/wiki/Dactylic_hexameter (four feet either “dactyl”:http://en.wikipedia.org/wiki/Dactyl_%28poetry%29 or “spondee”:http://en.wikipedia.org/wiki/Spondee, fifth a dactyl, sixth a spondee) and the second line in classical pentameter (two dactyls, a spondee, and two “anapest”:http://en.wikipedia.org/wiki/Anapest). Sounds like a fun way to spend an evening, doesn’t it?
Anyway, now that I’ve gone and mentioned it, here’s a preview. Note that the viewpoint character is the same Adam as of “The Last Wanderer“:http://subverbia.eykd.net/archives/2002/05/71/the-last-wanderer/, and the occasion is a vision that he has just before “Eve is pushed”:http://subverbia.eykd.net/archives/2003/06/93/eve-falling/ over the edge of “the waterfall”:http://subverbia.eykd.net/archives/2002/12/78/eve-above-the-hidden-waterfall-at-the-source-of-the-longest-river/:
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